Showing posts with label Victoria Royals. Show all posts
Showing posts with label Victoria Royals. Show all posts

Wednesday, December 7, 2011

Stop cheering hockey violence, before player's brains turn to mush

After his death, at age 73, Reggie Fleming was found to have had chronic traumatic enchephalopathy,

By Tom Hawthorn
Boulevard Magazine
November 30, 2011

On the second Saturday after my 15th birthday, the cover of The Canadian Magazine, which came with the weekend newspapers I had just delivered, featured the image of a half-dressed hockey player about my father’s age. His face was scarred and battered, greasy hair plastered to a sweaty and bumpy brow. The cover line read: “The agony of a punched-out bully.”

Inside, the writer Earl McRae told the story of Reggie Fleming, a Montreal guy who had gained a long hockey career despite limited skating and stickhandling skills. He occasionally put the puck in the net, but he was employed more for the damage his fists could do to an opponent’s face. Fleming was an intimidating presence, a ferocious fighter who rivals preferred to avoid. In hockey parlance, he was a policeman, a guy who maintained order through the threat of retaliatory violence should any of his more talented teammates be targeted. In the real world, he was a goon.

The article ended with McRae describing Fleming alone in the dressing room following a fight, blood pouring down his face. His hands tremble. Here’s how McRae told it: “Sometimes,’ [Fleming] says softly and haltingly, “sometimes I wish I could control myself just once. It’s ... it’s the kids. I go home and they see the cuts and bruises and —” He doesn’t finish the sentence. He lifts his hands to his face. For a long time he’s quiet and then, from behind the red swollen hands, a long, shuddering sigh. In the morning, the children will see him. He knows what they will ask. And he knows, as always, he won’t have an answer.”

Earl McRae's book
The story knocked me out. You didn’t read this stuff on the sports pages, where the world is divided into heroes and goats. Here was an athlete in all his complications — a thug, ashamed before his children, but also a man earning a paycheque as best he knew how. For a Canadian teenager, this was Shakespearean drama (and in an English I could understand on first reading).

The article, which became known as “Requiem for Reggie,” altered forever how I’d watch hockey, as a teenaged fan and, later, as a sportswriter. I loved the game for its speed, its majesty, and, yes, its violence — the spectacular and breathtaking way in which a bodycheck can change the complexion of a game. One Christmas, I got as a gift one of Don Cherry’s Rock ’Em, Sock ’Em Hockey videotapes. Liked the big hits. Cherry has produced at least 22 of those compilations. Now we know how grotesque my enjoyment has been.

Not so long ago, athletes who “had their bell rung” were told to “shake it off” and get back in the game. Now we know a concussion can have long-term consequences, perhaps even devastating ones.

Not so long ago, it was said no one got seriously hurt in hockey fights. Now we know that Reggie Fleming suffered brain damage. After he died, aged 73, two years ago, he was found to have had chronic traumatic enchephalopathy, a disease that alters behaviour and eventually leads to dementia. He paid a terrible price for those blows to the head, not the least of which was an early death.

Junior hockey returned to Victoria earlier this year, when the puck dropped for the inaugural game of the Royals. The atmosphere was electric; O Canada was sung with an operatic flourish by Mark Donnelly; and, the hockey was thrilling, as the young players exhibited tremendous skill.

In the first period, two players tussled at the blue line, dropping their gloves to throw punches. The crowd roared its approval, many leaping to their feet and punching the air.

I stayed in my seat, as did some others. Cheer a teenager as he punches another in the face? Can’t do it. Those young men were barely older than I had been when a magazine article revealed to me the ugly side of pro hockey.

Junior hockey permits fighting because the NHL permits fighting. Hockey would become even more savage without it, goes the argument. Besides, the braying crowds demand it.

Yet, they hold an Olympic hockey tournament without fighting. World championships, too. All the major sports — football, basketball, baseball, soccer — punish fighting with automatic banishment from the game. As does college hockey. As did the NHL before 1922.

The hockey world faces a crisis. Don Cherry used his bully pulpit on Hockey Night in Canada to dismiss as “pukes” the retired NHL pugilists who now question the role of goonery in hockey. Cherry apologized, sort of, weeks later, but the damage was done. He had estranged himself from some of the very players on whose bloody faces and sore knuckles he built a private fortune.

It’s time to ban fighting in hockey. Now. Before any of these teenaged players whose exploits we cheer wind up with brains of mush, like poor Reggie Fleming.

Sunday, July 3, 2011

Creator of Canucks logo returns to his hockey roots

A stylized heraldic lion is the logo for the new Victoria Royals of the Western Hockey League. It was designed by the same artist who gave the Vancouver Canucks their breaching orca.

By Tom Hawthorn
Special to The Globe and Mail
July 4, 2011

VICTORIA

After the owners settled on calling their hockey club the Victoria Royals, the artist Brent Lynch went to work.

“Once you’ve got a name,” he said, “you’ve got to come up with an image.”

Royals is a good match for a city named after a monarch. But how to capture the sentiment in a single, punchy image?

A crown? Too obvious.

Queen Victoria wielding a hockey stick? Too cartoony.

The commission to create a Royals logo for the team’s upcoming debut season marked a rare return to the graphic arts. The 57-year-old artist is more of a painter these days, having moved to Nanoose Bay on Vancouver Island three years ago. His works are sold in galleries throughout British Columbia and as far afield as San Jose del Cabo, Mexico. Though he has been widely exhibited, he is not best known for his landscape oils.

Everyone knows his work, though no one knows his name.

His artwork has been likely worn by more people in more places than any other in the province.

It is popular with students and retirees, businesspeople and homemakers.

Brent Lynch
You can find it in baby cribs and gangsta cribs.

Judging by recent unsavory events on Vancouver streets, even yahoos and yokels like it.

Before dedicating himself to painting, Mr. Lynch had a long career as a graphic designer. Among his clients was a certain hockey team for whom he developed an image that was ubiquitous last month.

The breaching orca representing the Vancouver Canucks? That’s the handiwork of Mr. Lynch’s fertile mind.

Logos, he said, are “the ultimate popular art.”

The logo was released 14 years ago, following the team’s original stick-in-rink design (now used as a pleasing shoulder flash) and the uninspiring downward skate. In beating out four competitors, Mr. Lynch settled on the orca, a creature that was “top of the food chain, dominant, and unique to the West Coast.”

The letter C from which it breaches was selected to give the Canucks’ sweater a classic look, as though it was an Original Six team.

The artist also prepared a lumberjack image of a bearded Johnny Canuck character, but the ownership at the time did not care for it.

He has been doodling for as long as he can remember. Family lore has the boy scrawling on floors and bedroom walls as a toddler, once even using as a canvas his baby brother’s bald head. His mother was an artist and his father owned a grocery in Ladner, where he held Hawaiian Days and Cowboy Days sales, the colourful graphics associated with the events inspiring a boy who liked to draw.

In school, Brent cartooned when he should have been listening, his caricatures earning him the admiration of his classmates if not of his subjects.

“A classic Canadian kid,” he said. “Drawing teachers and getting in trouble.”

He attended art school in Vancouver and London, England, before getting a job as an illustrator with the Vancouver Sun, whose editorial cartoonists at the time were Roy Peterson and the peerless Len Norris. Mr. Lynch soon after left to form his own eponymous design firm.

He has designed album covers and advertising campaigns, opera broadsides and sporting posters, beer labels and corporate logos.

One of his more familiar non-sports logos is for the Bread Garden, featuring a baker with fresh bread at the end of a long oven peel. In 2003, he redesigned the White Spot logo, dropping the familiar chicken with a fork and spoon for a circular image containing the words “legendary restaurant.”

For the Royals, he created an heraldic lion. The beast is rampant (rearing on hind legs) and langued (exposing tongue). The beast holds an upside-down hockey stick where tradition might dictate a flagpole.

“I tried to keep it pure and simple,” the artist said. “Lions represent good things like strength, courage and loyalty.”

Sometimes, Mr. Lynch finds a home even for rejected work.

The Johnny Canuck character he designed for the Canucks ended up as the image for the Vancouver Giants junior hockey team. It features a Paul Bunyonesque character carrying a hockey stick, instead of an ax, over his shoulder.

By coincidence, the Giants will travel to Victoria for the Royals’ inaugural Western Hockey League game on Sept. 24. All the skaters will be wearing Lynch logos.